The student will be able to:

1. Analyze the dynamic spectrum of a multitrack recording.
2. Operate a digital audio workstation to mix a multitrack master to stereo.
3. Explain the mixing styles of the recording industry in the 20th century.
4. Evaluate a stereo mix by applying modern (post 1990) standards of commercial mixing.
5. Create a stereo mix from a multitrack master.
6. Compare and contrast mixing techniques employed by engineers and producers from diverse racial, ethnic, and gender backgrounds.

1. Study and analysis of mixing and mastering styles since the advent of multitrack recording
   1. Analog multitrack mastering styles from 4 track masters
   2. Digital multitrack mastering styles using digital multitrack recorders
   3. Computer based mastering styles using automated mixing
   4. History of mixing and mixing aesthetics in the US, Europe, Latin America, and Asia
2. Planning and theory of multitrack masters
   1. Balancing mixes for transparency and clarity
   2. Masking and layering stacked tracks for sonic impact
   3. Application of signal processing for lead delineation
   4. Automation groups and master faders
3. Creation and production of masters
   1. Red book numbering and headroom protocols
   2. Test tones and equalization requirements for mass production facilities
   3. Numbering and alignment of tracks for mastering

1. Lab content includes topics such as microphone selection and placement, gain settings, monitor system setup, amplification calculations based on room size, etc.
2. Other items may include subjects such as number of plug ins per insert track, bus assignments for efficient recording operation, and mastering compression settings.

Written assignments that analyze, compare, and contrast mixing theory and aesthetics from all cultures and musical styles
Designing and assembling a digital master that demonstrates an understanding of mixing theory
Tests on mixing and mastering theory

Lecture presentations that demonstrate theories and techniques used by professional audio mixing and mastering engineers
Classroom discussions that address the history and evolution of audio post production, mixing and mastering for broadcast quality distribution
Group presentations followed by in-class discussion and evaluation

Owsinski, Bobby. The Mixing Engineer's Handbook, 4th ed.. 2017.

Although this text is older than the suggested "5 years or newer" standard, it remains seminal in this area of study.

1. Written critiques and analyses of audio production projects, including albums, soundtracks, television, video games, and internet multimedia.
2. Written summaries documenting technical and artistic elements for corresponding submitted assignments and audio projects.
3. Written proposals, session logs, learning outcomes, and reflections supporting submitted musical works and final master recordings.