ART 19G: OUTDOOR LANDSCAPE PAINTING
Foothill College Course Outline of Record
Heading | Value |
---|---|
Effective Term: | Summer 2023 |
Units: | 4 |
Hours: | 3 lecture, 3 laboratory per week (72 total per quarter) |
Advisory: | This course is included in the Acrylic Painting family of activity courses. |
Degree & Credit Status: | Degree-Applicable Credit Course |
Foothill GE: | Non-GE |
Transferable: | CSU/UC |
Grade Type: | Letter Grade (Request for Pass/No Pass) |
Repeatability: | Not Repeatable |
Student Learning Outcomes
- Students will be able to organize and apply of the basic formal elements, color theory and principles of design as they relate to landscape painting.
- Students will be able to use outdoor painting equipment, easels, small supports, materials, and safety successfully.
- Students will be able to paint from observation in one sitting outdoors.
Description
Course Objectives
The student will be able to:
- Create outdoor landscape paintings that show evidence of a working knowledge of the physical properties of painting materials
- Organize and apply the basic formal elements and principles of design in paintings
- Model form from observation, using value, color, and light from observation
- Apply the principles of perceptually and theoretically based color theory to painting projects
- Examine and describe historical and contemporary developments, trends, materials, and approaches in outdoor plein air landscape painting
- Assess and critique paintings in group, individual, and written contexts, using relevant critique formats, concepts, and terminology
- Safely handle and use plein air paint, supports, easels, materials, and equipment
Course Content
- Materials and equipment
- Solvent-free paint: water-mixable oil paint, slow drying acrylic paint, soft oil pastels, gouache, watercolor paint, water soluble graphite, brushes, water pens, water/containers
- Drawing and painting supports: sketch pad, markers, and pencils, small canvas boards/panels, gesso boards, aquaboards
- Composition tools: viewfinders and photography
- Pochade plein air boxes easel and tripods, portable easels, palettes, plein air umbrellas, portable chairs, hat, drying and transporting painting boxes
- Set up on location
- Selecting a landscape subject/locations
- Learning to see
- Hills and mountains/landscape, beaches/beach town, parks, lakes/ponds, gardens, skies/sunsets/sunrises, forest, rocks, hiking trails, cityscapes, snow, trees
- Designing the painting composition
- Understanding abstraction: shapes, Notan limited value maps
- Rule of thirds
- Center of interest
- Thumbnail sketches, sketchbooks and composition theory
- Edgar Payne compositions: pyramid, cross, radiating lines, diagonal lines, tunnel, silhouette, pattern, rectangle/L, suspended steelyard, three spots, group mass, points of interest
- Color theory, pigments, palettes
- Paint properties: chroma, color and value, hues
- Atmospheric perspective: value and color
- Setting up a plein air palette
- Colorist and tonalist approaches
- Zorn palette
- Color harmonies: monochromatic, analogous, triadic, complimentary, tonal
- Advancing and receding colors
- Color and unity
- Cool and warm colors
- Painting approaches
- Alla prima: one sitting painting
- Brush language and impressionist painting styles
- Painting at different times of the day
- Art of plein air
- History of outdoor landscape painting
- Impressionism art
- California plein air art
- Plein air communities
- Plein air societies and social media groups
- Outdoor landscape painter demonstration
- Contemporary plein air artist groups
- Landscape painting workshops, exhibitions, and galleries
- Plein air destinations
Lab Content
- Exploration of physical properties of opaque water-based painting materials
- Organization and application of the basic formal elements and principles of design and composition in sketchbooks and in small painted landscape studies
- Safety rules and procedures related to the handling of paint and easels outdoors
- Evaluation and application of basic principles of color theory
- Mixing paint on a plein air palettes
- Painting landscapes from observation outdoors in limited time
Special Facilities and/or Equipment
2. Students are responsible for their own transportation to landscape locations.
3. When taught via Foothill Global Access, ongoing access to a computer or smartphone with email address, internet access, and teleconferencing software/apps (e.g., Zoom).
Method(s) of Evaluation
Portfolio review: each painting will be evaluated for technical ability, craftsmanship and personal creative approaches
Written or oral critiques
Written or oral participation in lectures/demonstrations on outdoor landscape painting
Method(s) of Instruction
Lecture presentation using the language of landscape painting
Discussion using the language of drawing and painting composition
Demonstration of using water-based oil paint, acrylic paint, gouache paint, brushes, supports, portable easels, techniques, and methods
Critique and group presentation of outdoor landscape painting projects followed by class discussion and evaluation
Representative Text(s) and Other Materials
Albala, Mitchell. Landscape Painting: Essential Concepts and Techniques for Plein Air and Studio Practice. 2022.
Johnson, Michael Chesley. Beautiful Landscape Painting Outdoors: Mastering Plein Air. 2022.
Zaforteza, José Payá. Landscape Painting and Composition: An Artist's Handbook (The Secrets of landscape Painting). 2021.
Steward, Iain. En Plein Air: Light & Color: Expert Techniques and Step-by-Step Projects for Capturing Mood and Atmosphere in Watercolor. 2021.
Macpherson, Kevin. Conversations with Nature: Oil Painting in the Tradition of Plein Air. 2019.
Albala, Mitchell. En Plein Air: Acrylic Expert Techniques and Simple Step by Step Projects for Creating Dynamic Landscapes in Open Air with Acrylics. 2018.
Johnson, Chesley Michael. Backpacker Painting: Outdoors with Oil & Pastel: Techniques for the Plein Air Painter. 2014.
Payne, Edgar. Composition of Outdoor Painting, 7th ed.. 2005.
Although some texts are older than the suggested "5 years or newer" standard, they remain seminal texts in this area of study.
Types and/or Examples of Required Reading, Writing, and Outside of Class Assignments
Research historical and contemporary plein air landscapes and write an essay or paper describing the artwork; make composition sketches from these great works of plein air paintings.